No one, but no one, made movies like Michael Powell, the visionary British director known for such classics as The Red Shoes, Black Narcissus, and, most infamously, Peeping Tom. With his Hungarian screenwriting partner Emeric Pressburger, he took you places only he could imagine, whether turning a British backlot into the Himalayas or staging a courtroom trial in heaven. It was a thrill to chat with Powell in Chicago back in 1986, when he was in town working on his memoirs while his wife the great film editor Thelma Schoonmaker worked on his friend Martin Scorsese's "The Color of Money." If you've seen his films, be prepared to watch them again!